Marco and published by Garland. The new editor, who is also a librarian, writes in the introduction that 60 percent of the more than 3, entries are new, and all old entries have been revised although some of the entries examined for this review are identical in both editions.
Emphasis in the first edition was recorded sound before World War II, but in the second edition the chronological range has been extended, although focus is still on the U. However, entries for some artists, among them Van Cliburn, Placido Domingo, and Michael Jackson, do not include current information. Illustrations, mostly photographs of old record labels, have been added.
There are some historic photos of people, including one of Bela Bartok recording folk songs in Transylvania, as well as current photos, such as one of an IPOD, accompanying the MP3 entry. Entries for record labels, performers, films, technical terms, and so on are short, but there are multiple-page entries for Columbia label , Disc, and Opera recordings , among others.
Pseudonyms offers a unique list of pseudonyms of recording artists.
Sound recording periodicals lists more than journals and magazines. The second volume ends with a list of contributors and their affiliations, extensive endnotes, and an index.
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Summary First Published in He teaches music and library science at Sam Houston State University. He resides in Huntsville, Texas. Reviews "This appears to be the most comprehensive reference on recorded sound. Libraries that own the edition would do well to upgrade since so many new artists and technologies have emerged in the past decade Highly recommended. Most comprehensive reference on recorded sound This edition provides information from all time periods and recorded sound genres Abundant cross-references; comprehensive index